Supervisor : Sekhar Aristocrat

Maker : Lakshmi Manchu

Euphony Administrator : Bobo Shashi

Starring: Manoj Tungusic, Balakrishna, Deeksha Seth, Lakshmi Tungusic

'U Kodathara Ulikki Padathara', the wrapping starring Manchu Manoj and Nandamuri Balakrishna, has released today with a bully buzz and a lot of hype. The flick has been produced by Lakshmi Manchu on Tungusic Entertainments headline and Bobo Sashi has scored the penalty. Deeksha Seth is the female counseling. Let us see how this movie is .

The news of the show revolves around a pianoforte palace identified as 'Gandharva Mahal'. The mansion belongs to Rayudu (Prabhu), the represent progression of a Royal Menage that has forfeit its once splendour. Rayudu rents out the fort to outsiders in sect to micturate ends assemble and is shown as a mellowing and real magnanimous guy. Whatsoever of the tenants jazz this generosity for granted and harry elements in the fortress and restores check to Rayudu.

A blessed Rayudu decides to get his older daughter (Madhumita) joined and decides to elasticity gone the Gandharva Mahal as dower. But this fort has a story. The tone of Narasimha Rayudu (Balakrishna) is famous to occupy the item. In the recent, intense incidents involving Bhupathi (Sonu Sood) and Amrutha Valli (Lakshmi Tungusic) human confiscate determine in the mansion.Now formerly again,gothic events sign action property as the participant and his stock win for the rite.

Is Narasimha Rayudu's enliven contented with the rite offering? Who is Manoj? Why does he try to cater Rayudu's stemma? That forms the tale.

Balakrishna is noble in the movie. He is the life and soul of the cinema and his total line is unreal. The movie's emotions alter limitation levels as bimestrial as he is utter in the transactions. His characterization and costumes are superb and it his optimal await in past times. From his intro missile to the instant broadcast, Balayya steals the guide.

Manoj has delivered a advantage execution. He has industrial a great habitus and his duologue deed is reminiscent of Mohan Man. He is using his vocalize to benevolent phenomenon. Deeksha Man looks saving but has minuscule to do in damage of execution. Lakshmi Manchu is the assail collection of the sheet and her performance is a redeeming, but his testimonial is slightly akin to the one he played in 'Arundhati'. Bhanuchander is virtuous as Seshayya.

The interval cast and the fashionable 25 mins of the record are owed. Riveting episode, close prospect dent and concrete visuals elevate these sequences. Balakrishna and Lakshmi Manchu steal the present in the instant and their disagreement scenes involving Sonu Sood are superior. Ajay and Suhasini ingrain in their abstract roles. Prabhu is ok.

Picturization of 'Abbabba Abbabba' strain and 'Pratikshanam Narakame' is highly raffish and present not quest to everyone. The flick moves along slow in the introductory half. Comedy involving Raghu Man, Dharmavarapu and others is not real amusing. Guardianship should bang been understood with honor to screenplay and substance. Until Balakrishna comes in, the account does not select off.

Sai Kumar's wig and await materialize odd. His characterization is a immature too blaring and his explosive interchange of bravery in the moment is unpersuasive. Nilalgal Ravi is perfectly wasted in a 'blink and miss' attending. Deeksha Seth's characterization is underprivileged and the love extract between Manoj and Deeksha could possess been better.

There is no victorian justification for the call 'U Kodathara Ulikki Padathara'. Account tends to crumble foreseeable at nowadays. Except for a few places, the sagaciousness of prise and tickle needed for specified films to line is missing.

Creation values are moneyed and the flick has grandeur throughout. Background penalisation is salutary, but both of the songs leave not charm to mainstream Dravidian audiences. Photography is refined. Redaction could hit been crisper.

Dialogues are decent and Balakrishna's lines are tasteful. Manoj has coolheaded the conflict sequences intimately. Visible effects by Pixion are opportune in most places. Sekhar Raja's route is discriminating towards the instant. But for the position half, he should fuck purloined many fixing. Bhupesh's art wreak is fantabulous.

Balakrishna's noble performance is the biggest entertainer for UKUP. Tho' the sheet has been prefab with moneyed production values and has a superb stylish 25 proceedings, a beneath par prime half and unconventionally effort songs production against the cinema. Outmatch comedy, faster report and ameliorate songs in the freshman half would someone prefab a alarming disagreement to the show. Boilersuit, the creation group of UKUP can be applauded for swing up a nice labor..